Posts tagged as:

digital

Little Fish, Big Pond

by amnesia on February 13, 2012

“I wish I could’ve done that when I started”

That is the standard response from most in the office who hear about my graduate program. Nine months of experience rotating through all of Amnesia’s departments, from Account Management to Creative, Strategy to Emerging Technology, and even a short stint with Finance (my apologies to the finance department in advance). Nine months of new and different. Nine months of digital, Amnesia style.

Of course it is an enviable program, and I intend to make the most of it. And whilst it may be all about learning the digital ropes, in a lot of ways it is a chance to show nine months worth of proof – proof that this little fish can swim.

So who am I? I am Dean, a new fish in the pond that is Amnesia Razorfish.
Seinfeld makes me laugh. I conduct limb transplants on gummy bears. I think great food is, well, great. A world map has pride of place on my wall. And I always “find the fun” in any situation.

I am a lover of media, both online and offline. My professional background lies within children’s television at Network Ten, where I worked as a Production Coordinator and freelance Scriptwriter, creating ‘riveting’ work such as this.

For me, it’s time for change and adaptation – from sleepy Brisbane to bustling Sydney, offline to online. I’ll be documenting my time at Amnesia Razorfish with a no holds barred look at agency and digital life. I have a lot to learn and you can read all about it here, or follow me on twitter.

Dean
@deanvowles

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Digital campaigns that caught my eye this week

by amnesia on November 20, 2009

I’ve been running around like a fly with a blue backside the last few weeks. However after a bit of down time today I came across two great campaigns that I would hold up as shining examples of great digital work.

The first one is Sony’s Fantasy Festival partnership with Last.fm. You have an imaginary $1M to spend on your fantasy festival line up and the winner is the person whose selection has the most buzz online- kind of like Fantasy Football for music. Here’s my effort…


Why do I like this?

The communication is tied into a product. Once I’ve picked my line up and named my festival I can listen to it on Last.fm and share it with friends. Simple idea but cool.

It’s a genuine experience not just a prize draw. I spent ages battling with my consciousness. Do I put some super bands like Muse in that have a lot of buzz even though I don’t like them, or ‘keep it real’ and stick to my favourites. Seriously have a go, you have to make some brutal decisions.

The second campaign is from HP who is raising the awareness of the Global clean water crisis by supporting a team of climbers looking to reach the summit of Mt Kilimanjaro.

They don’t start till January but you can track their progress via a website that is the equivalent height of Mt Kilimanjaro in pixels – check out the scroll bar! Neat idea from Goodby

@carlmoggy

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[Sorry, I had to use all the various meanings of the word just to ensure there was no misunderstanding as to what this post is about]

At the moment my Mo looks more like I’ve drunk 10 cans of Coke and licked my top lip, but it is still early days. However this isn’t about me and my Mo, although you can sponsor me here should you wish, it’s about why Movember is a perfect example of marketing in a social world.

It has social object

OK it’s for a good cause and bog paper might struggle to emulate this, but it demonstrates the need to unite people around something compelling enough. In this instance it happens to be a good cause, but it could just be a good idea.

Secondly raising awareness and funds for Men’s health is arguably under represented compared too many other causes; you could say it’s a challenger. Everyone wants to support the challenger.

It gives people something to do

It’s not just a Facebook group where you sign up and forget about it or where you change your Twitter avatar and feel pleased with yourself. It requires people to actually commit to doing something. We all know actions speak louder than words these days.

It makes things spread

It unites groups of people with some real social fuel. There is something to talk about, it’s highly competitive and narcissistic (in a weird and slightly perverse way). Nobody wants to be told they have a dirty lip now do they.

It visualises things happening within groups. People copy each other and the more people that grow a Mo, the more people will a) find it acceptable to grow one or b) Feel left out if they don’t and follow the crowd. Nobody wants to be the first person at the party, so brands need to try and visualise activity and interactions happening, so people feel like everyone else is doing it.

Movember relies on both strong AND weak ties. In order for it to gain significant traction with the population in a short space of time, the ‘handful of influencers’ need to be exposed to the masses – the Mo being the social lubricant and object that is shared across these groups. Brands should ensure that they don’t spend all their efforts on the clump of interconnected cool kids and remember Joe Public needs to be exposed to what is happening.

Social mechanisms

It obviously has the standard Facebook, Twitter and email options so you can spread the word and generate donations, but there is more to the way they feed the fire.

It gives you the tools and reminders to upload and document your progress – as well as fundraising rankings. This keeps you promoting yourself and pushing your efforts through your networks. Brands need to give people something to follow and talk about in order to keep people interested.

Movember gives Mo growers rewards for raising money, including a tickets to the end of campaign party. It inspires people to really push for more money through the month rather than just an email at the beginning. Brands should reward people on a regular basis for giving up their time for you.

Last but not least – it’s useful

For those of us unfamiliar with growing facial hair there is a full on style guide and grooming tips. This should come in handy when rectifying my dirty lip.

Visit Movember and track down your friends and fellow Mo growers

AU_MObanner02

@carlmoggy

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5 Amazing and Unique Portfolio Interfaces

by amnesia on November 4, 2009

There’s a sea of portfolio sites out there. Of the best ones there are many that look great but don’t stray far from the typical interface design frameworks and information architecture.

Here’s a collection of five seriously impressive efforts to innovate, take chances, do something unique, delight and surprise… Great stuff.

1. Wonderwall Inc.www.wonder-wall.com

This Japanese interior design firm presents their work via a sproingy, elastic, 3D, slightly off the grid mosaic interface. It’s just fun to play with and tightly executed. It’s not a facade, either – the transitions and detail views are well thought through.

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2. Resn - www.resn.co.nz

Not a new site, but if this New Zealand based creative agency ever changes their portfolio I look forward to seeing how they plan to improve on it. The imagination behind the navigation rollover effects and the presentation of the work in the portfolio section are inspiring. Use of full bleed background imagery and subtle audio really surround the visitor. Great balance of creativity and usability.

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3. thetoke - www.thetoke.com

Slick, clean, technical. Slightly ambiguous concept around the identity and the intro, but it all makes for good eye candy. Play with the viewing modes in the top right hand corner to see cool applications of 3D in Flash.

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4. bio-bak - www.bio-bak.nl

Wow. Also been around a while but something truly bizarre. It’s a game. The object is to find the site’s navigation. This site has balls. And they’re hairy and badly drawn.

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5. Futuretainmentwww.futuretainment.com

Ok, so it’s a book launch, not a portfolio, but it’s classic Frost and fits beautifully with the others for a range of inspiration on how to simultaneously provide a stage and set a tone.

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Enjoy!

@iclazie

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The wooden Ruler 2.0

by stephanlange on July 27, 2009

The ruler is one of those everyday things we use and never really think about it twice. This is how it works and that’s it.

2 designers with the support of udk industrial design department designed the “Electronic Ruler”. It is a concept that measures the length of drawn lines no matter where on the ruler you start and stop drawing. It can also measure the distance between 2 points, add the value of different lines and change its scale.

To make it even cooler they placed a set of LEDs under a thin strip of wood-like material that displays the digits.

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found here

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It’s been over six months in development but this week has seen the release of the inaugural issue of Fluent: The Razorfish Social Influence Marketing report.

Why did we create this report? There’s a lot of fluffy thinking and hype surrounding social media and this report highlights how Social Influence Marketing encompasses every part of marketing and every dimension of an organisation, as well providing a new metric for the measurement of SIM

You can download the full report here or view it on Slideshare, but here are the highlights

Social Influence Marketing Survey – By Shiv Singh

The study, which consists of a Razorfish survey of 1,000 consumers, examines the importance of social media and social influencers in consumer purchasing decisions. Results show that traditional top-down marketing will become increasingly ineffective as the importance of social media grows.

If a brand provides current, relevant content, consumers will engage with it. Survey results show that consumers are willing to stay actively involved with a brand on social networks if the brand gives them a reason to do so.

Brands need to understand the different roles influencers play throughout the purchase decision. They must identify which type of influencer – offline peers, blogs, anonymous reviews, etc. – is most affecting their customer’s brand affinity and purchase intent. This group will change as the consumer moves through the marketing funnel.

Measuring Social Influence Marketing, introducing the SIM score – By Shiv Singh

The old ways of measuring brand strength don’t effectively take into account conversations that consumers have about a brand. The SIM Score is a new index Razorfish developed to determine how a brand is being talked about online. Two factors – a brand’s “reach” and “likeability” – were used to establish the company’s SIM Score relative to its competitors.

This report determined a SIM Score of 5-6 companies within four industries- financial services, pharmaceuticals, media and auto.

With the help of TNS Cymfony and the Keller Fay Group, Razorfish also accounted for offline influence like word-of-mouth data in calculating the SIM score.

We believe the SIM Score could become something akin to the Net Promoter Score.

Complementing the report is a number of essays from the folks at Razorfish on the Future of Social Influence Marketing

- Can social ads do better than display ads? – By Chris Bowler

- Viral marketing through social: No free lunch – By Greg Pomaro

- Have social graph, Will travel – By Andrea Harrison

- Social media: The last quarter mile of customer relationship management – By David Baker

- Ten ways to make the Twitterverse work for you brand – By Diana Stepner

Please feel free to contact us with any questions relating to the report and we would love to get your feedback. Enjoy! @carlmoggy

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Mos Def’s new album, The Ecstatic, is released in the US today but it’s taking a refreshing approach to distribution. Rather than offering up a CD (who buys them apart from me) people buy a T- Shirt with the album artwork on it, along with a code embedded into its tag so you can download it.

I love this kind of blurry stuff that is digital, traditional, social and a product innovation all rapped up in one (excuse the gag). It’s such a simple idea I can’t believe it has been used more often. Imagine how much The Ramones could have made with all those millions of walking adverts – it might also have ensured the cool kids actually listened to the music as well.

Not only that, it has raised the price to $39, probably reduced the production costs and generated cheap, peer 2 peer advertising. Genius.

@carlmoggy

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The future of the newspaper from 1981

by stephanlange on January 30, 2009

I found this video on techcrunch here about the future of newspapers seen back in 1981 and wanted to share it with you all – it’s quite funny

My favourite part is that it takes over 2 hours to receive the whole newspaper and back then the hourly use charge of the telephone was $5 which makes this newspaper 10 bucks – pretty hefty :-)

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Hubdub – Predicting the news

by amnesia on November 25, 2008

hubdub

Hubdub is a great new site that allows you to test your forecasting skills and gamble imaginary money by predicting the future of the news. This is the perfect site for people who think they know it all and a great test of the ‘Wisdom of Crowds’ theory. You can predict the news covering everything from the price of oil to Heath Ledger being the next Oscar winner.

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Here’s an article I wrote for AdNews last month – it was edited down for publication so here’s the full thing. Uncensored:

We all keep hearing about the pace of change and how much we need to constantly shift our businesses both as agency or client. Sometimes it’s hard to know where to look with so much going on; an ever expanding web and new devices appearing daily in the consumers lounge and pockets … all places we need to harness for marketing success.

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Batteries… soon to have a 30 year gap between recharging?

One thing’s for sure, it’s going to get more complicated, not less so I thought I would share five of the key technologies that are set to change the digital landscape in a significant way within the next ten years… here’s my TOP 5:

[click to continue…]

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